Pass the Popcorn: The Movie for Our Time

June 21, 2012

(Guest post by Greg Forster)

Thrice armed is he that hath his quarrel just;

And he but naked, though locked in steel,

Whose conscience is with injustice corrupted.

                                            Shakespeare’s Henry VI

You lack conviction.

                                                            Agent Coulson

Finally! I finally saw the Avengers tonight.

Greatest superhero movie ever made – yes or no? It’s a tie. Or it’s apples and oranges. This is a movie that can stand next to The Dark Knight without shame, yet the two are doing completely different things. Nolan’s Dark Knight is a movie for all times and places, becausee it’s about the struggle between good and evil in every human heart and in every human city. Whedon’s Avengers is a movie very much for our time and place specifically.

Obviously, spoilers lie in wait for you ahead!

The theme of “war” is invoked repeatedly in this movie. Where Nolan’s movie was about the struggle within hearts and within communities, this movie is about a struggle between communities – in other words, a war. Not America versus the aliens, but one America versus the other.

Yes, the culture war. But perhaps not in the way you might think.

It’s obvious that the three characters who matter in this movie are Steve Rogers, Tony Stark and Bruce Banner. Before we look at them, let’s look at why they’re the ones that mattter.

Politics wears two faces. Politics is power, and politics is justice. The great first question of political philosophy throughout the ages, the question that determines how you answer all the other questions, has been which of these is primary. Throughout history, a small minority of cynics – Thrascymacus, Machiavelli, Hobbes, Hume, Marx, Nietzsche – has said that power is primary.  Over against the cynics, the large majority of political philosophers and the nearly unanimous voice of humanity at large has insisted that justice is primary.

The other characters in this movie are about power. Thor is a warrior, obviously a man of power. Nick Fury and the Black Widow are mainly good at manipulating people, which is another form of power. And Hawkeye isn’t even a character, he’s a plot device. Smart move – nobody was ever going to care about him as a character, so Whedon didn’t even try to make him into one. They might just as well have changed his name to Agent MacGuffin.

You might have expected Thor to be about more than power because he’s a god. This is a trick of the historical lighting. From our privileged perspective as children of the mature religions, we expect that all supernatural beliefs involve a moral element. But the pagan gods were never really divine. They were just projections of ourselves, with all our flaws and our humanity, into the cosmic forces of the unseen universe. That’s exactly why they vanished from history as religion matured. You can read all about this in Plato, or in Chesterton. All pagan gods are “puny gods.”

There’s no indictment in saying these characters represent politics as power. They’re not amoral – even Black Widow has an ethic. Yet none of them is really bringing a robust vision of justice to the team. That’s why they’re not the ones who ultimately determine the fate of the world.

Steve Rogers has a vision of justice. He might seem to be about power rather than justice because he’s fighting for America. Yet his interest in America clearly has nothing to do with the structures of American power. That’s why he has no difficulty turning against Nick Fury and the Council. What he’s loyal to isn’t any particular manifestation of America, but the ideas of justice to which America is committed and which America represents. Steve Rogers has an integrity that transitions seamlessly from obeying the Council to resisting it, because the Council is not the America to which he is loyal. Because of this, his commitment to justice can’t be subverted by anyone or anything in the tangible world claiming the mantle of “America.” His commitment to justice is transcendent and therefore independent and immovable.

This fact is not unrelated to the fact that he believes in the one true God.

Tony Stark is every bit as American as Steve Rogers, and everyone knows it. From the beginning, America’s Tony Starks have had as much claim to have made this country what it is as its Steve Rogerses.  And Tony Stark is committed to a vision of justice. The Tony Starks of the world wouldn’t have nearly the influence they do if they weren’t driven by a very powerful vision of justice. Although he might never put it in these words himself, Stark believes in Romantic individualism, capital R. He worships neither gods nor God but the divine spark within, the sacred self. This can produce silly behavior, but on the whole it is not to be scoffed at. Remember that in the end Stark is willing to die to save other people. He could easily have flown away instead of pulling the missle into the portal. Romantic individualism is a creed that people have been dying for (and killing for) for centuries.

Only two things can enable a man to sacrifice his own life in cold blood: religion, or strict training in moral virtue. Tony Stark has not undergone strict training in moral virtue.

The conflict between Rogers and Stark, which manifests itself as a conflict over justice, is at bottom a religious conflict. Justice and religion flow in and out of one another in perplexing ways. People of different religions can reach moral agreement – if it weren’t so, we’d all have torn each other to pieces long ago. Yet even when our senses of justice align, the religious difference never quite goes away, never quite stops threatening to break out into a war.

Standing between these two figures is Bruce Banner. However handy Stark might be with computers, Banner is the real man of science, the Enlightenment figure. The real essence of Enlightenment ethics is rational self-restraint – to exercise rigorous control over the soul’s dark impulses because the intellect discerns it is advantageous to do so. Rogers has few discernable dark impulses because he’s surrendered himself to transcendent powers. Stark gives his dark impulses relatively free reign, wherever he can get away with it. Banner will not surrender himself to the God without (who can purge the darkness) nor to the god within (who will cultivate it). He disciplines himself, surrendering to nothing. He is always angry.

He worships neither the justice of God nor the justice of the self. He worships justice itself, for its own sake, just like the ancient Stoics, or Kant and Adam Smith.

It is not a coincidence that Banner is objectively the most powerful of the three central characters. Rational self-control is a fantastic engine of power.

Yet he ultimately does not stand on equal footing with Rogers and Stark, because his religion is narrower. Justice alone isn’t sufficient for human life. Rogers and Stark are the two great poles, the two truly ultimate visions of justice, and Banner is the man of greater power but lesser vision whose allegiance would tip the scale one way or the other, if he gave it.

Here’s why this is the movie for our time: the history of modernity is the history of great religions – Christianity, Islam, Marxism, Fascism, Romantic individualism, etc. – struggling for control of the great engines of power unleashed by the Enlightenment and the Industrial Revolution. America was the product of a great alliance between two of these religions, Christianity and Romantic individualism, against the others. It was not merely a temporary pact to share power but a real forging of deep alliances, resting on a robust sense of shared morality between the two. In spite of the differences, there really are deep undercurrents of similarity. Christianity really does celebrate the preciousness and dignity of the individual; we call it the imago Dei, the image of God in every human being. Romantic individualism really does seek to encompass both moral seriousness and an authentic sense of spiritual renewal (to see justice and mercy meet and kiss, as the psalm puts it). Yet in our time the alliance is strained. The differences between religions must always run just a little bit deeper than the similarities; otherwise they wouldn’t be different religions, they’d be different branches of the same religion. And now those differences are rising back up to the surface. The conditions that forged the original alliance have passed. Can it be reforged?

An existential threat submerges the differences and renews the alliance for a while. In the movie, it was an alien invasion. In our time, it has been 9/11. That doesn’t last, however. In the end of the movie, the heroes disperse to go their separate ways.

The closing note of the movie is Nick Fury expressing certainty that if an existential threat ever arises again, the heroes will reunite. Why does he think so? “Because we’ll need them to.” That is the optimistic scenario. I believe (for theological reasons) that there are rational grounds that logically justify a limited amount of optimism about how things go in the world. I am optimistic about renewing the old alliance that defines America. Yet there are limits, and in our time we are testing them.

Pass the Popcorn: It’s All Greek to Me

April 27, 2012

(Guest post by Greg Forster)

The earliest reviews of Joss Whedon’s Avengers are not debating whether or not it’s a good movie. They’re debating whether or not it’s the best superhero movie ever made.

This debate is the opposite of Aliens Versus Predator. Whoever wins, we win!

The real debate, in my mind, is whether or not Joss Whedon is the greatest storyteller of our time. There are other contenders to the throne, of course. We’ve written about a few folks who could vie for that title here on Jay P. Greene’s Blog from time to time.

Why pick only one winner? Here’s a much more interesting way to look at things:

Who Is Our Homer?

Candidate: Chris Nolan

Job Qualifications: High-stakes conflicts between titanic characters who evoke or represent transcendent forces; the essential passivity of man under the power of cosmic forces greater than himself. (Wars between champions loom large.)

Who Is Our Aeschylus?

Candidate: Joss Whedon

Job Qualifications: Illuminates the nobility of the human struggle against the essentially tragic nature of the human situation; the hunger for justice that we can never ignore without sacrificing part of our humanity, but can also never satisfy without sacrificing part of our humanity. (Vengeance and justice loom large.)

Who Is Our Sophocles?

Candidate: J.J. Abrams

Job Qualifications: The dynamic interdependence between our choices and our character; we can only act based on who we already are, but can only be who we are through how we act. (Daddy issues loom large.)

Who Is Our Euripides?

Candidate: (I hate to say it since I’m a Watchmen hater, but…) Alan Moore

Job Qualifications: Ecstatic confrontation with chaos and meaninglessness; deconstruction of cherished myths. (Mass atrocities loom large.)

Discuss among yourselves! 🙂

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